Your map just touched my face
Having run lines with He Who Only… the preceding week, I pretty much knew the show off by heart before the run began, apart from a few final cuts and additions that were made at the last minute. The best thing about watching a run of shows is that you get to see each night what works and what doesn’t, which parts run smoothly, if the line that worked last night will work just as well the following night, what could be done differently, if another delivery of a line would change the tone and therefore heighten the laugh? Is it too soon to mention Chris Langham? Should the sign be held straight up, or slowly twirled around?
The joy of being at this end of the show is that I get to see the placing of the pieces that build up to the complete show. I get to see, each night, which parts work and which parts don’t. I get to join in the agonising and post-mortem after each performance trying to work out why, why in the hell didn’t that big get a bigger response? And why did that bit get such a huge laugh today, when it didn’t raise a titter yesterday? What isn’t working about that moment? Why is that bit guaranteed to go down well, when it’s not even supposed to be a joke but just a way of getting from A to B.
I could happily spend the rest of my life trying to work out why some things are funny and why some things aren’t, and why one audience will fall head over heels for one scene that the audience either side of that night won’t join in at all, but I would never be any the wiser. As He Who Only… so astutely advised me at the end of the second night, it’s best not to try and work it out, because to do so takes away the sparkle. It is what it is. And what it was, for me, was a great, if utterly exhausting, week. And all I was doing was counting heads.
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